In the “Holographic World” series, the golden ratio and sacred geometry are not merely tools for composition, but keys to unlocking a hidden cosmic order that emerges from the heart of nature and mathematics. I always begin, before starting the main work, by drawing golden spirals and Platonic grids—either digitally or by hand—onto my sketches; the floating, semi-transparent cubes are precisely positioned at the intersections of these invisible lines, subtly drawing the viewer’s eye toward the center of balance, as if gazing into the heart of a true hologram. This ratio—repeated in sunflowers, galaxies, and even the proportions of the human body—imbues my works with a sense of eternal calm and profound harmony; even as colors shift with interference pigments, creating infinite depth, the underlying structure remains steadfast and sacred. For me, employing sacred geometry is not just a technique, but a reminder that our universe is built upon a mathematical beauty that transcends time and space; and when a visitor unconsciously feels that equilibrium and stillness, I know these ancient secrets have come alive once more on the canvas.